Why aren’t we seeing movies about growing up in the twenty first century? Has film lost its ability to convey a collective experience? How does film hold up in an age of television and Internet? Rebecca, Ryohei, and Parth ponder the fate of traditional coming-of-age films and where the genre might be headed in the future.
With the Oscars so close, the Buffer editors love nothing more than to debate the outcomes of each category. Here are our predictions for the winners of some of the top categories for this year’s Academy Awards.
How do you move on after your greatest joy in life is gone? How does a hit show follow up a season that had one of the most devastating finales in television history? This past Sunday, American audiences of the British period drama television series Downton Abbey tuned into the season four premiere with record numbers, in an attempt to find the answers to these very questions. While most of us west of the Atlantic have to conform to PBS’s schedule and learn about the future of the Crawley family piecemeal, I was lucky enough to have a friend studying abroad last semester get me the BBC’s DVD release. I endured a binge-watching session spanning two days, and (after ingesting six months of storyline) a recovery period of a few more days, just to give you, dear Downton fans, a brief glimpse into what the next few months has in store for our beloved characters. Minor spoilers lie ahead, so proceed at your own risk!
When a new franchise movie comes out, I almost always dress up to go see it, but for some reason this didn’t hold true for The Hunger Games: Catching Fire. When the first movie came out last spring, my way-too-excited group of friends and I donned our leather jackets and “fiery” clothing and did our hair in our best imitation of Katniss’s signature braid. Despite the common consensus from early critics that the sequel was better than its predecessor, I guess I just wasn’t looking forward to it as much. Having already been introduced to most of the cast and knowing the feel of the script, edited and approved by author Suzanne Collins, I felt like there was less to anticipate. Looking back, I couldn’t have been more wrong.
Imagine you had the chance to meet your idol. Would you do it? Reality can never live up to the workings of a worshipful imagination, and I for one would be terrified of a personal encounter with any of my heroes. But in a world populated by literal superheroes, how should society function? Do we treat them as celebrities, powerful people who are actually “just like us,” or is it better to keep these oddities – caped crusaders and monsters alike – a secret from the world?